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Why Savant Exists

Why Savant Exists

A first letter from the editor: what Savant is for, why it covers four subjects and not forty, and what kind of writing we publish and turn down.

A fountain pen resting on a folded sheet of blank paper.

Every publication should be able to say, in a sentence, why it exists. Ours is printed under the name: ideas for a more interesting tomorrow.

That sentence is a promise and a filter. It promises readers that what they find here will be worth thinking about after they have closed the page. And it tells writers what we are looking for: not the news of the week, not the tactic of the month, but ideas that help someone understand how things work and how they might work better.

Four subjects, not forty

A magazine that covers everything ends up saying very little about anything. We have chosen four subjects, and we intend to cover them well.

Building, because some of the most interesting work in the world is done by people turning an idea into something that lasts, usually at a scale too small for the business pages to notice.

Money, because the choices people make with it shape their lives more than almost anything else they decide, and because those choices are made by people, not by spreadsheets.

Technology and AI, because the tools we use are changing what we can do and the world we do it in, faster than most of us can comfortably follow.

People and decisions, because underneath all three is the question of how we think, how we choose, and how we work with and influence one another.

Other subjects will appear when a good piece demands it. A magazine should be allowed its curiosities. But these four are our home.

What we publish

We publish writing by people who know their subject from the inside: builders, investors, practitioners, researchers and writers who have spent years thinking about the thing they write about. We look for pieces that explain rather than announce, that show their reasoning, and that leave the reader with something they can use or argue with.

Every piece we publish has been edited. That is not a formality. A good editor’s job is to make a writer more clearly themselves, and we take that job seriously.

What we turn down

We turn down far more than we publish. Pieces written to promote a product rather than to inform a reader. Pieces that repeat what everyone already knows. Pieces that promise easy answers to hard questions. And pieces, however well written, that do not add to the conversation our readers come here for.

We also hold ourselves to a simple standard on honesty. When a piece is sponsored, it says so. When a writer has an interest in what they are writing about, we expect them to disclose it. When we get something wrong, we will correct it in public.

An invitation

If you have spent years learning something that others would benefit from understanding, we would like to hear from you. Our Contribute page explains how we work with writers, and our Editorial Standards set out what we expect.

And if you are here to read, welcome. We hope you find something worth keeping.

Jim Caldwell
Editor-in-Chief

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Jim Caldwell